This unique exhibition project involves five artists invited to respond to a chapter in the book, The Museum of Innocence by Nobel Prize winner, Orhan Pamuk. Published in 2010, The Museum of Innocence is an elaborate tale of love, unrequited and otherwise, taking place in a politically shifting Istanbul of

The Model is delighted to present Irish Women Artists of the Twentieth Century. The Niland Collection holds a considerable amount of work by key Irish women artists and when looked at together, these works provide a comprehensive survey of the changing themes and practices of Irish female artists throughout the

This exhibition examines the tensions between the Celtic Revival of Irish arts and literature in the early twentieth century and the birth of the Modernist movement in Ireland. Due to its fractured history, the relationship between the archaic and the modern in Ireland has been particularly antagonistic. This show explores

Irish artist Sam Keogh, now based in London, focuses on mixing materials of varied colour, texture and value to produce strangely familiar yet numinous objects. Keogh is interested in how matter can contain power, or the various ways that an object can become important, valuable or auratic. Through a combination